While the subject and ambition of Jordan Harrison’s Marjorie Prime must have seemed worth the undertaking, the production now at the Mark Taper Forum is mostly confusing. It is a difficult piece to write about, since ideally the goal appears to be that the smoke-and-mirrors plot should be discovered in the playing. However, the structure …
A sterling cast, from the main characters to the slightest roles, elevate this new production of You Can’t Take It With You.
To say that it was an adventure of a lifetime would be an understatement.
You have to do a little work to absorb the full range of playwright Tarell Alvin McCraney’s meaning in Choir Boy.
In my ongoing love affair with the marriage of dance and film and the relatively young genre of screen dance, I can still watch dance shorts for hours. I remain completely compelled by films in which pure movement dynamics, concept, context, and form are meeting the camera and playing together in new ways at vital …
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