Ginna Luck’s work can be read in Pif, Juked, Typehouse Literary Magazine, The Writing Disorder and more. She has an MFA from Goddard, and is an editor for the online journal Rawboned. She Lives in Seattle with her husband and three kids. *** A Poem I believe in choking silence from the soft joints of …
I created this poem in response to all the combative chatter that has been all over social media and in the news lately. I wrote it in between takes on a commercial shoot in LA that I was involved in, which helped pass the time and helped me wind down from all the media provocation …
There is a double and nostalgic meaning in this title, certainly as Samuel Beckett intended it, but even more so as it pertains to the current production of Endgame at the Kirk Douglas Theatre. The part of Nell is shared by Anne Gee Byrd and Charlotte Rae, which makes this a cast of five instead …
The new wing of the Tel Aviv Museum of Art, designed by architect Preston Scott Cohen as an addition to the museum’s Main Building, is the latest development in a process that started in the 1930s, when the city’s first mayor, Meir Dizengoff, created a municipal art museum in his own house. It evolved through …
In 2011, when director Spike Jonze recorded dancer Charles “Lil Buck” Riley on his cell phone while performing an interpretive street version of “The Dying Swan” to live accompaniment by cellist Yo Yo Ma, it went viral within weeks and he rose to international stardom with only twenty-three years behind him. With his singular morphing …
Hardly a conventional art museum exhibition, Cave Temples of Dunhuang at The Getty offers a rich, multi-faceted experience incorporating three cave temple replicas, multimedia, 3D viewing and an interpretive exhibition consisting of documents and artifacts, some from The Getty’s collection and others from major museums and libraries around the world. On The Getty plaza, one …
(“Tomorrow’s Voices Today“ is a new series curated by poet and educator Mike Sonksen.) *** Tragedies After Walt Whitman WHY! Who makes much of a tragedy? As to me, I know nothing else but tragedies, Whether I walk the streets of Los Angeles, Or peer upon caprice projects and ghettos, kids up to no good …
It’s a wrap for the 2015-16 New York Broadway theater season and four of the last shows take up radically different positions on the Broadway musical spectrum. American Psycho tries for cold-blooded satire and Tuck Everlasting makes a bid for the Wicked-Matilda family-friendly demographic. Neither is particularly successful in hitting its target. Waitress scores a …
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