August 10, 2016

The Generational Gentrification of the Los Angeles Arts District

The Arts District, a three square mile area, abuts the downtown business district on the west and the Los Angeles River on the east. More specifically, its official city planning board boundaries are: Alameda Street on the west which blends into Little Tokyo, First Street on the north, the Los Angeles River to the east, and …

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Maze

[alert type=alert-white ]Please consider making a tax-deductible donation now so we can keep publishing strong creative voices.[/alert] I found myself lost in Maze, the super cool short created by Choreographer Sophie Laplane and Director/Editor/ Cinematographer Eve McConnachie, while responding to a friend request on FB where I saw it posted and it immediately caught my …

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Cats Purrs Softly; Oslo Overwhelms

[alert type=alert-white ]Please consider making a tax-deductible donation now so we can keep publishing strong creative voices.[/alert] Meow and forever, Cats is back. After a smash London premiere, the original NYC production of Andrew Lloyd Webber’s feline phenomenon became the fourth-longest running show in Broadway history, inspiring devoted loyalty among fans and disdain among naysayers. …

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Opera and Theater Combine in Sweeney Todd, Crucible and Fidelio

[alert type=alert-white ]Please consider making a tax-deductible donation now so we can keep publishing strong creative voices.[/alert] Opera and theater merge and meld in two offerings at this summer’s Glimmerglass Music Festival in Cooperstown, NY. Stephen Sondheim and Hugh Wheeler’s 1979 Broadway bloodbath Sweeney Todd receives a confused staging while Robert Ward’s 1961 operatic adaptation …

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What A Devil Thou Art, Poverty! —Dave Newman’s The Poem Factory and The Legacy of Witness

Art is supposed to remind us our lives matter. Our failures, if we own them, can become our truths. Art is supposed to be a mirror, however distorted. But too often, in poetry, the lives that matter most become corpses or, worse, dust. I’m talking about the lives most of us — the silent majorities …

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