Neon Art: Lili Lakich
In 1982, I documented the “Artistic Renaissance of Downtown LA.” I photographed artists in their lofts (Eve Steele), art galleries (Cirrus, Neil Ovsey), a show of photographs by Matthew Rolston at the Jennifer Dumas Gallery, the owners of Gorky’s Cafe, etc. I especially loved the airplane by Dustin Schuler nailed to the brick wall of the American Gallery.
I visited MONA, the Museum of Neon Art, and met its founder, neon artist Lili Lakich. I photographed her next to her signature piece, “Mona” 1981, which was inspired by Leonardo’s painting of the Mona Lisa.
Last week I met with Lili again. She is still at the 5,000 square feet building she bought in 1980 on Traction Avenue, at the corner of 3rd and Alameda, in the heart of DTLA’s Art District. MONA reopened in Glendale in 2016, having been dark since 2011, when their Grand Hope Park location closed after 15 years. Lili ended her association with MONA in 1999, but she is still creating and exhibiting amazing neon art in her studio & gallery. She is also teaching new generations of students how to make neon sculptures and signs. Her next 8-weeks workshop starts May 8.
Lili explains “The technology of neon involves capturing in a glass tube an inert gas that glows when electrified.” It was developed in Paris by George Claude in 1910. Neon signs were used in the US starting in the 1920s for motels, diners, shops, movie marquees, etc. See above the 1939 Art Deco marquee of the Nuart movie theater in Los Angeles.
In the early 1980s neon experienced a renaissance. It was actually after taking a workshop at MONA that Gary Burns, who owned a cactus shop on Melrose Avenue, started promoting the use of neon among his fellow merchants. That is when I did a photographic essay on New Neon. See above the Erotica store Drake’s on Melrose.
After reading her 2007 book “LAKICH: For Light. For Love. For Life,” I learned a lot more about Lili Lakich. She has been making neon art since the 1970s. Her most famous piece is Blessed Oblivion, 1975, depicting a panther and a python entwined in battle.
From 1988 to 1993, Lili created the AIDS series as a response to the devastating epidemic: men torsos made of honeycomb aluminum, inspired by Michelangelo’s sculpture “The Dying Slave.”
From 2002 to 2006 Lili made 3 pieces for the series “Self-Portraits with Bombs and Blonde Bombshells.” From 2006 to 2009 she built her largest artwork, “Flyaway,” 114 feet long, commissioned by the Los Angeles Department of Cultural Affairs. Click to watch video.
In August 2016 Lili made a piece titled “Believe Me”, depicting Donald Trump with a Pinocchio-like nose growing longer through an animated sequence. She thought it would have a short shelf life…
Thanks to the groundbreaking work of Lili Lakich, many artists use neon today. See recent article in Los Angeles magazine.
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ABOUT THE AUTHOR
Elisa Leonelli, a photo-journalist and film critic, member of the Hollywood Foreign Press Association, interviews directors and movie stars, as well as artists, musicians and writers, for international and domestic publications. Formerly Film Editor of VENICE, Los Angeles Arts and Entertainment magazine, currently Los Angeles Correspondent for the Italian film monthly BEST MOVIE, author of the critical essay, "Robert Redford and the American West."