In the spring of 1986, I decided to travel to Tokyo to further explore that amazing metropolis that I had briefly visited in December 1981 on my way back from my fabulous photo trip to China. I chose the month of April to experience cherry blossom season, I focused on a photographic essay of Tokyo teenagers, but also visited Kyoto and photographed other subjects on 35mm slides with my Nikon cameras. See a mother and daughter dressed in traditional costume for the Sanja Matsuri Festival.
In the fall of 1985, I had photographed — mostly in my Hollywood studio on 120mm Ektachrome with my Hasselblad — an essay on American teenagers. In January 1986, I had an exhibit of large prints at LA Nicola Gallery titled Teenage USA. So it seemed interesting to document the different fashion style of Japanese teenagers.
Here’s some excerpts from the article I wrote in 1986.
In the past few years Tokyo has become a fashion capital on par with New York and Paris. Most of the teenagers are into trendy clothes, as it’s apparent when you see them walking through Tokyo’s youth towns, such as Shibuya or the Harajuku area, where groups of teenagers called the Bamboo Shoot Tribe congregate on Sunday afternoons. They wear colorful satin clothes and baggy pants, and perform original dances at the sound of ghetto blasters in the middle of the street.
The carefree attitude of the young Japanese corresponds to a new outlook on life of the so called “no hunger” generation. Born in the 1960s they have not experienced the hardships of rebuilding the country after the destruction of World War II. They tend to reject the rigid work ethic of their parents and feel a need for individual personal expression. They also enjoy unprecedented wealth; these “spoiled children” or “pampered brats,” as they are called, have their own money to spend on clothes and entertainment.
There is a short period in which young Japanese can enjoy an active social life, before their early twenties. After that, they become members of society, and are expected to take on responsibilities: the men get a job and the women get married.
ABOUT THE AUTHOR
Elisa Leonelli, a photo-journalist and film critic, member of the Hollywood Foreign Press Association, interviews directors and movie stars, as well as artists, musicians and writers, for international and domestic publications. Formerly Film Editor of VENICE, Los Angeles Arts and Entertainment magazine, currently Los Angeles Correspondent for the Italian film monthly BEST MOVIE, author of the critical essay, "Robert Redford and the American West."